|College work still inspires me now.|
|My first ever shoot. Shot in my living room|
modelled by my best friend.
|Early test shot with a photographer I ended up working (paid)|
on multiple jobs and throughout Europe. Shot by Bruce Smith.
Things I learnt During This Time:
|Another early shoot. This image got me more|
work than any other at that time. Shot by
8. DO get a senior artist to critique your work. It can be hard to open up your work to criticism at first but if you take on board what is said without taking it personally or being defensive, you will grow as an artist. I still have my peers look over shots I am not sure on and always, always take their advice. Never stop learning.
9. DON'T take everything at face value or pit yourself against others. What I mean by this is; just because someone is pumping out behind the scenes tweets of all the fabulous "jobs" they are doing or adds the word "celebrity" in front of makeup artist, the proof is in their work. If their website looks like it was knocked up by a glitter obsessed teenager, they have no celebrities in any of their pictures (and I am not talking about meet and greet style pics either) or they are claiming Estée Lauder campaigns when they can barely manage an eyebrow/hold a camera steady then move on. Focus on you and your career and leave them to it.
10. DO be nice. Its a simple rule. Talent is half the battle but being nice and pleasant to have on set will get you rebooked more than your work. I see artists all the time whose work is lovely but not outstanding and they work 7 days a week, 365 days a year because people like them. They are nice people and deserve that success.